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About ENTP_EMO

There's a certain amount of respect I would love to obtain with you. But this aspect of understanding and knowledge of each other, I would love to get to know you better in all ways in order to respect you more fully, ways I can obtain this respect comes with the knowledge of knowing you better physically, mentally, spiritually, and in all other aspects. Shall we start with our physical aspects? Knowledge of each other physically can be accomplished in serval ways, perhaps a tactic of understanding can be done in photography in of our physical bodies. Perhaps we could exchange detailed photographs of us physically in order to understand each other better, in turn, to set the stage for an even deeper, solid, and respectful relationship.

"When I went to the doctor I saw a movie poster on the station and went to the cinema instead of the doctor. When I saw Fanck's film, moving clouds, slow motion, use of light in film, shoots, visual compositions had a great effect on me. I saw this as a very different art form. Then I played in Fanck's movies. Piz Palu, the last movie I played, was with director Fanck and Pabst. That was nice because Pabst was good on fictional movies. Fanck was a known director with amazing images. Fanck gave less dictation to the players, Pabst knew better what he wanted, and the players wanted their characters to experience mental. At one point, he saw me interested in camera angles and told me, "You're not the director, you're the actor." He was the first person to see his directing ability. In the first film I directed, Balazs wrote dialogue Because he was a formalist and I did the individual optical planning for each frame. I paid great attention to image beauty. In the optical art, I like fairy-tale landscapes and write stories that are appropriate for them. The most important thing for me is that the aesthetic materiaI. I never got an ugly film or photography.