I think it's very good and brimming with potential for your age.
If I could suggest one thing that I think could tighten up your designs, it's to avoid shading with the side of your graphite pencil on coarse sketching paper -- not just yet.
Try, for example, using a ballpoint pen on typing/printing paper where your line work is very, very clear, and focus on hatching techniques like so:
It'll tend to make it much easier to start achieving any style you want if you start with a pure line-work driven focus and work your way up to more organic mediums like charcoal and graphite on coarse paper.
It also make it easier to tighten up the work -- like if you notice the line work above, it's mostly going in one direction with the hatching. It gives the whole thing a sense of movement and kind of integrates everything together.
The reverse is harder to achieve until you spend a lot of time focusing on line work. It's a mistake I made when I was younger until I took up sketching with ballpoint pen and kind of re-learned everything through that process.
With mediums like graphite, charcoal, pastel, they're like powder diffusing over the surface of the paper, and also smudging and smearing. Especially with a coarse tooth, you lose the ability to be able to see each and every stroke you make on that paper.
With ink you can't do that -- and that can actually really help you progress astronomically faster. When every single stroke you make on that paper is going to make the finest line that reads perfectly, you have to learn to communicate all your design ideas -- including lighting and shadow, rhythm and gesture, through nothing more than line work -- lines dancing around on the sheet of paper. If you can master that, you can achieve anything.
That was something the old masters had to learn using mediums like silverpoint. It's something comic book illustrators also have to learn since they have to use ink to illustrate each frame.
Mediums like charcoal and graphite make it too easy to hide the linework. The beauty, and the fingerprint of the artist, lies in that delicate linework.
Cheers -- sorry if I got carried away a bit there! I was also very enthusiastic about drawing when younger and was at a similar stage (and also similar interest in subjects), and the one thing I wish I did earlier was taking to mediums like ballpoint pen a bit more quickly. Anyway, awesome work!
Nice work man, personally love the shading on these. I draw too except I'm not as good lol The only suggestion for improvement I can give is probably for you to chand the handwriting lol, it seems a bit but out of place (calligraphy lessons could be useful). Otherwise the drawings are really nice, impressive for someone your age as well, keep it up
Absolutely , looks great. I draw myself too. Your work is very nicely shaded. Extreme lights and darks. They call that Chirisciro ) . Spelling might be wrong
Well it depends, it's good for an average drawer. But if you want a career, you have a lot of improving to do. Please understand I'm not trying to hate, but just keep that in mind.
Average, But you can get better everyday there's tonnes of potential in your drawing someday you'll be able to draw a replica of Mona Lisa if you practice!!!
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