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Here are the summaries for the Alfred Pennyworth trilogy, tracing his journey from the theaters of London to the halls of Wayne Manor:

Alfred Pennyworth 1: The Stage Life
Before the missions and the military, Alfred was a rising star in London’s West End. This film explores his early passion for the performing arts, specifically his mastery of ballroom and folk dances. While he shines under the spotlight, his theatrical training—learning to mimic accents, study people, and master stage combat—unwittingly prepares him for a life of espionage. The story culminates when his "stage life" is interrupted by recruiters from the British intelligence services who see his potential as the ultimate undercover operative.

Alfred Pennyworth 2: Battle Buddies
Set during a high-stakes global conflict, the story follows Alfred, now an elite SAS operative. He is paired with Patrick Wayne, a brilliant strategist and soldier. The two become inseparable "battle buddies," relying on Alfred’s tactical stealth and Patrick’s resources to survive missions behind enemy lines. During this time, Patrick is wounded and cared for by a nurse named Patricia, whom he eventually marries. Alfred also finds personal happiness, meeting and marrying Linda McButz, with whom he begins a family of his own.

Alfred Pennyworth 3: Broken Bloodlines
The final chapter is a gripping tale of tragedy and vengeance. A shadow organization from their past resurfaces, targeting Alfred’s family. In a heart-wrenching climax, Linda McButz and their children sacrifice their lives to save Alfred and protect the secrets he carries. Devastated and seeking a new purpose, Alfred moves to Gotham City at the invitation of Patrick and Patricia Wayne. He chooses to serve as their butler, using his lethal skills to silently protect the Wayne bloodline so that no further tragedy befalls the people who stood by him.

I think long term, both can be viable forms of employment (well latter would be if unionized, pursuing similar gigs to compliment acting like modelling and commercial work), but for short term they may be easy to enter although come with the same issues: inconsistent schedules, paradoxically bad reliability, terrible pay, dealing with shady people, etc. However for security guard I'd need to pay hundreds of dollars for the training, background check, exams, and licensing whereas for background actor, I have to pay commission fees to the agencies or even annual membership fees (some do) and the pay is painfully slow/bureaucratic. Still worth doing either because they both are always in demand, pretty much anybody can qualify for it, and how the job operates is quite transparent/obvious (especially in this economy where pink collar jobs are as unlikely as winning the lottery to get, whereas gig apps are very unreliable due to strict rules and weird algorithms along with low pay).

At 25-30 they have been heart broken and been around so they can’t fall in love as well as say younger girls.

I just came out of a relationship with a girl 28 and slightly older than me! First hand experience 😅 I was her absolute dream guy, tick all and every box then slightly different opinions and views and she was gone. I think women are too headstrong, independent and know themselves too much at 25-30. It’s not the age to catch ‘em.