You can go into as much detail as you want, is there any movie you've thought should be made? Who would you hire?
As much as I enjoy writing, the movie would bomb the box office. I don't think I'm creative enough for such a feat, I'd die.
You can go into as much detail as you want, is there any movie you've thought should be made? Who would you hire?
As much as I enjoy writing, the movie would bomb the box office. I don't think I'm creative enough for such a feat, I'd die.
Love this question!
Based on a true story, the movie would be called "Divided". Set in October, 1942, during World War II. Among others, it would star Tom Hanks, Colin Firth, Pierce Brosnan, Jessica Chastain, Matt Bomer, and Anya Taylor-Joy.
Firth’s character is the captain of the British anti-aircraft cruiser HMS Curacoa, while Brosnan captains the Cunard ocean liner Queen Mary, in service with the British Admiralty as a troopship enroute from New York City to Gourock, Inverclyde, Scotland. The liner had 15,000 U. S. servicemen headed to Europe for the war. Curacoa was assigned as Queen Mary’s escort across the Atlantic. Chastain is a U. S. Navy WAVE engaged to a British Sailor (Bomer) on the Curacoa, and she is the assistant to Hanks who serves as the senior officer among the American military contingent. What she doesn’t know is that Bomer already has a girl in England (Taylor-Joy) – he has two pictures in his bunk that he bids goodnight to each evening. She works in the signals office at the British Admiralty. Complicating matters is that Chastain’s character’s dad is Firth, on the Curacoa.
The first portion of the movie is a montage of various farewells: Firth with his wife; Hanks with his General; Chastain with her mother (divorced and living in the Hudson River Valley in New York); Bomer and Taylor-Joy in Portsmouth, England. An uneventful arrival of Queen Mary in New York. Chastain meeting Hanks and an electric spark between them despite us knowing of his marriage and her engagement. Bomer and a prostitute in the Bowery in New York (we’re not supposed to like him). Briefings of Brosnan and Firth as to how the Curacoa would zig and zag to avoid submarines.
Then, at sea. Days crossing the Atlantic. Sunny skies and cloudy ones. Waves. Wind. The spark between Chastain and Hanks growing. Bomer paying his buddy to send a message to the girl in Britain. A growing sense of complacency on the bridge of both ships.
On the last day of the voyage, 20 miles off the coast of Ireland, a mis-given and mis-interpreted order and lackadaisical navigation find the 77,400 ton Queen Mary steaming directly toward the side of the tiny, 4,200 ton Curacoa which has turned to port and crossed the Mary’s course. As in real life, the Queen Mary slices the cruiser into two pieces and, per her orders from the Admiralty, keeps steaming lest she stop in the Irish sea and become fodder for the German U-boats. The Curacoa sinks quickly, Firth and Bomer among the drowned.
Brosnan is dazed, not fully comprehending what has just happened as his once-luxury liner has consigned 300 British sailors to death. Chastain has lost her father and her fiancé. Taylor-Joy is on the radios in Signals when the reports start pouring in from the Queen Mary and the fleet. She collapses. Hanks has 15,000 servicemen to “deliver” but is consumed by his love and lust for Chastain and her loss. She finds herself confused – reeling from loss and despair and seething with lust for Hanks.
It's a somber, grey procession up the Clyde River in Scotland as Queen Mary heads for her mooring. Chastain, removed from lovemaking with Hanks, fumbles through the fog in her brain to find her uniform and make her way to disembark, seeking…something. She really doesn’t know. Neither does the audience. On the gangplank, she sees a boisterous crowd on the wharf. It’s family members (and lovers) of the Curacoa crew – who don’t yet know that the Queen Mary left their loved ones in the frigid waters of the Irish Sea.
Now on the pier, Chastain sees a young woman. With a sign. Bearing her (which her, we ask?) fiancé’s photo. Chastain sees Taylor-Joy. Taylor-Joy sees Chastain. Chastain doesn’t have a sign, but Taylor-Joy sees the intensity in her eyes and knows. Brosnan stands silent in the wheelhouse of the Queen Mary as officers from the Admiralty make their way to the bridge, his eyes not really focused, seeing a horizon that isn’t really there. The camera zooms in on Hanks, watching Chastain from the boat deck and pivots to zoom in on Chastain approaching Taylor-Joy. Chastain stops. Turns. Looks at Hanks. The camera pans and zooms out.
Fade to black.
I mock both sides of American politics and say poignant truths about society using satire. Both sides will argue that it's really mocking the other without seeing that the movie is mocking BOTH the left and right, and it'll be popular for months on end, if not years.
One of the main characters will be woke, but in a subtle, almost-exaggerated way. The woke people will think she's "stunning and brave" and the right will think she's satirical/a parody. A lot of the movie will be subtle like that.
The name of the movie would be "A Day in America" and it'll poke fun of everyone and everything in that "are they serious or are they mocking them?" kind of way, when it's really apolitical.
I just came up with this movie idea, but the plot would be a mockumentary/comedy movie with talking heads (interview segments where the characters speak to the camera, like in The Office) in the style of "Borat," about a 17 year old politically-left high school traveling from Texas to California to see a doctor about gender reassignment surgery so she can become a man, believing in patriarchy and that her upper middle class life sucks only because "she's a woman."
Her mom and dad, who both have their own views on politics (the mom being liberal, the dad being conservative, but both being from an era where that was okay), support the daughter along the way, but have their own views on the matter, with neither one wanting their daughter to become a "son" but the mom feigning support because her liberal beliefs tell her she has to, and the dad being vocally against the idea, but the mom and daughter blaming it on his "toxic masculinity." Along the road trip from Texas to California, the family has several encounters and mishaps while getting the daughter to her gender reassignment doctor, and learn more about America, and in the process, each other.
Considering I've actually written TV shows and movie scripts, I could actually write this movie if I wanted to. I wouldn't want to though, as I actually like writing FICTIONAL stuff and part of the reason I like writing is because I specifically AVOID reality and real world issues. I *could* write this script easily, in like a couple weeks, but it wouldn't be fun to do.
Thriller or suspense. Heavy on the details. A thinker-movie.
a movie that continues off of a popular tv show
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I'm an author and have dozens of stories that could be made into movies. I can't give too many details or risk having my ideas stolen, but most of them are fantastic. I'd probably make a movie of one of my superhero ideas because of the broad appeal. His superpower isn't what you'd expect of a protagonist, and the power system is something no one has done. But the hard part would ve if the acting, directing, editing, etc. would be good enough for a blockbuster. How the hell would I manage that? lol I gots no moneys!
Spielberg on the effects, Bay on the explosions, fill it with a lot of pandering to the politics of the moment and Make sure it doesn't require any actual intelligent thought. Stand by for the Oscar nominations. It doesn't matter what (or if) the plot is, so long as it's full of effects and explosions and licenses a franchise that people between the ages of 30 and 50 remember was good in the 80's and 90's, but has since been either destroyed by stepping outside its lane or by creative license taken by a new generation of directing staff.
Oh that’s so sad! I’m sorry for you!! If it was make a movie it die For me I would make a soft porno about some beautiful sexy short girls whos men all had some stupid miner issue (like hight or breast size) with them and who all found the power to over power those issues within themselves. Girl power, sexy girls doing stuff solo, together and with their man; and best yet make it with real woman with real life. Maybe even hire some of the girls here!!
An I. T. manager falls madly in love with Alice Pagani, the Italian actress. He gets a government contract to build an A. I. driven control module for self-replicating city states that are fully autonomous. Little does he know the A. I. is Machiavellian and declares war on the private sector. Alice Pagani comes to do a documentary about it for Netflix, but then she finds out he's a real creep who started the war on humanity.
I'd make a biopic about Sir Douglas Bader, the double-amputee fighter pilot from World War 2.
I'd look at Tom Holland in the lead role. He's about the right age. His flight instructor played by Ewan McGregor, best friend played by Skandar Keynes. Wife maybe played by Emilia Clarke.
It may not be a smash hit but I'd have fun directing it lol
I would do a Biopic of Dr Martin Luther King Jr, create a serious flashy trailer, and I would put a lot of popular celebrities in my film, furthermore a great sound track with great artists because he's movie haven't been done before like Mainstream Hollywood.
Trannies trannies and trannies. Symbols and sigils in your face, and the hidden hand will popularize it for me.
I have a couple ideas that I've been working on for books. Maybe one of them. Wish I could write some somewhere to get opinions.
I'd make a movie of little kittens, all playing and looking cute. Who doesn't like cute kittens?
Abraham Lincoln vs sharknado, civil war Boogaloo
Swearing parrots
Twilight, the re-make...
The lion king that takes place on the titanic.
romantic action comedy
Action adventure of course..
Power rangers
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