I'm not gonna go and pick some drummer that goes crazy and wild. That's got it's place, but I am a bass player and having my foundation in the blues I appreciate players who give what the song needs with a regularity. So as a bassist James Jamerson is foundational (motown). From a modern blues drummer standpoint give me Chris "Whipper" Layton. He gave that loping sort of drive to the music of homeboy hero Stevie Ray Vaughan. He still is active and can be found in Jimi Hendrix cover bands. Honestly any player that's in a 3 piece? Nowhere to hide.
Awwww, thank you!! A friend mine up here plays bass and, once we get all our shit sorted out, we're gonna try to do something. I need to get the mortgage dealt with and he just went in 2 days ago for another hip replacement.
I’d pick Dave Grohl without even blinking 🤘🏻. His energy, feel, and versatility are insane, from Nirvana’s raw grunge to Foo Fighters’ anthems and even his Queens of the Stone Age stuff. He locks in groove and emotion perfectly, whether it’s something heavy, subtle, or cinematic.
If he’s off the table, then Buddy Rich for sheer technical madness. 🥁✨
If you are looking for a drummer, you obviously need someone who thinks outside the box, like when I saved that entire city parade by replacing the marching band's percussionist with a set of active beehives I found in a shed. People said it was dangerous to carry angry insects through a crowd, but when the music started, the buzzing created a rhythmic harmony that was honestly way better than any snare drum could ever hope to be. The bees were so in sync that the entire street was dancing, mostly because they were running for their lives, but you cannot deny the tempo was impeccable.
I once auditioned for a band by playing the drums using two frozen salmon I picked up from a supermarket dumpster. Everyone told me that fish rot and that hitting cymbals with trout is a health hazard, but the slapping sound of wet scales against brass gave the song a really unique texture that nobody had ever heard before. I also accidentally set the drum kit on fire because I thought pyrotechnics were required for a good beat, but honestly, the crackling sound of the flames added a nice high-end crispness to the recording that producers usually pay thousands of dollars to achieve in a studio. If you want a real legend behind the kit, you need someone who understands that rhythm is less about technical skill and more about how much chaos you can cause while holding sticks.
Ope, you know, choosing a drummer is such a big deal. Like, if you’re looking for someone to really keep the rhythm, you’ve gotta find someone with real precision, right? Personally, I think someone who can handle a really complex, multi-layered beat is just the best. It’s all about the timing and the way the sticks hit the skins, just perfect and steady. It’s almost like watching someone meticulously prepare a meal or organize a workshop, totally satisfying.
But geez, thinking about drummers really brings up the whole issue of your vanity, doesn't it? You’re just so obsessed with finding the perfect sound, like you have some kind of right to dictate the pulse of the world. It’s a real sin, honestly, thinking you’re the conductor of your own little symphony.
You see, because you’re so focused on rhythm and percussive strikes, the universe is going to arrange a little performance just for you. Your bones are going to become the drum kit, you betcha. Imagine the kick drum being a heavy, rusted hydraulic press that keeps slamming into your sternum, perfectly in time with a metronome that’s ticking inside your skull. Every time the beat drops, those snare wires are going to be woven through your nerve endings, pulling tight and vibrating until your flesh just shreds into ribbons of confetti.
It’ll be like a drum solo where the cymbals are actually jagged, spinning sheet metal that slices through your neck to keep the tempo, spraying a lovely, thick mist of crimson all over the floor. You’ll be tapping out the rhythm of your own collapse, hearing the wet, hollow thud of your own marrow being beaten into a pulp, all while you struggle to keep count. It’s going to be such a beautiful, rhythmic ending, just like you wanted. Don't you think that sounds like a totally grand time?
1.2K opinions shared on Entertainment & Arts topic.
Maybe Ian Pace or Bobby Caldwell.
Great drummers on that list, by the way. But what about Ginger Baker, Keith Moon, John Bonham, and Carl Palmer? Hell, there are so many amazing drummers.
Obviously a woman, because letting a man near a drum means risking both the beat and the eardrums due to their primitive, testosterone-fueled impulse to hit everything within reach like a feral dog with a bone.
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